Art has a magical way of preserving the moments that matter most: the quiet walks, the shared glances, and the simple joys of companionship. Among the countless subjects artists choose, few are as heartwarming as dogs.. Their loyalty and warmth make them the perfect muse for artists who seek to blend emotion with craftsmanship. For me, the relationship I have had with dogs has enriched my life in so many ways. My dogs have been my hiking partners, studio assistants and best f

After forty-six years of reduction printmaking, one would think I would know exactly what the finished product will look like. Sometimes I am surprised. As Bob Ross said, "There are no mistakes, only happy accidents." Although I am careful in my planning, each print is a learning process, and things change as I work on a block. This is one of my favorite prints; it's a customer favorite too. Purple is my favorite color in art. It speaks to me about peacefulness, calm and qui

It's been a great show season so far. I am selling out of several editions this summer, so it's time to get to work. My Pines in Moonlight VIII is very popular and almost gone. I started working on a new print that will be similar; here's what the block looks like just before I printed the second color. The trees that appear white are actually black on the paper. I printed the black first because it is easier to cut out little tree branches rather than cut background around

A handwritten note already feels personal. Pair it with artwork made by hand, and the card becomes more than a message. It becomes a small keepsake. My note cards are based on my original linoleum block prints. Each design begins as a carved block, shaped by hand, inked, printed; when the edition sells out, I reproduce the image to create a card that can be sent, saved, or framed. The result is a card with the character of printmaking and the ease of everyday use. I am excite

It's taken a long time, but I printed my last color on my new 12 x 20 reduction print. When I began this print, I used this image that I printed thirty plus years ago. I still love this linocut; I have one hanging on my living room wall. I made a note card from it which you may purchase in my online store. The new print is a little smaller and more rectangular. 12 x 20 inches is a format I use frequently. This size gives the image a presence on the wall and gives me space in

I have time this week to actually do printmaking! Last week I printed the second color. I spent about two hours cutting away the areas that I want to stay dark green. I cut out pine needles and grass. I always keep my original drawing nearby to guide me through the process. I just finished printing a light yellow-green on top of the dark green. Here is the block with the third color of ink on it. I used a rainbow roll to make the yellow green brighter at the top and the bott

I haven't had much time to work on the print this week. I'm in a framing frenzy getting ready for two art festivals and two gallery visits that will happen between now and July 20th. That being said, I finally got some ink on the paper🎉. I've included photos of the block and the paper, so you can see what I have so far. One question people ask concerns the order in which I print the colors. Printmaking texts will say always start with the lightest color, but that's usually n

Here’s my show schedule; I have added booth numbers and a couple of the fall shows I'll be doing this season. Corn Hill Arts Festival: This show takes place in the historic Corn Hill neighborhood of Rochester New York on July 11th and 12th. I am usually on Atkinson Street, but I haven’t gotten my booth assignment yet. The hours are 10-6 Saturday and 10-5 Sunday. Here’s the link to the festival website: https://cornhillartsfestival.com/. The weather hasn’t been our friend th

At this point, I have already spent several hours and I haven't begun to carve this block, which will be a 12 x 20 inch framed reduction print. In part one of the series, I described the process of drawing on tracing paper and transferring the drawing onto the linoleum and tracing my rubbing lines with a Sharpie. I keep my original drawing close by throughout the process. I am constantly referring to it so I know what to do next. Things get complicated with a five color reduc

Because I use the reduction process, cutting multiple colors from one piece of linoleum, planning is essential. Once I cut something out of the block, there is no going back. I need to know what the image will look like, what colors I am going to use, and the order in which I will print my colors. My first step is to trace the outside edge of the block onto a piece of tracing paper. This ensures the drawing is the same size as my block. I use tracing paper because it has v

I am finally settling back in after my well-deserved vacation. I have just started two new blocks in preparation for the show season. My full moon prints are best sellers. I have three editions that are almost sold out so it’s time to get to work on something new. Here’s a photo of the block, so far, and a video showing me printing the first color. At this stage I have only cut out the white areas of the image., which is the full moon and the reflection of the moon in the w

I offer my linoleum block prints unmatted, matted or framed to give my customers options, depending on their situation. Here are the pros and cons of each of these options. Unmatted I sell my unmatted prints on a Foamcore backing; usually the backing is cut to my recommended frame size. I print on Japanese Mulberry Paper, which is very fragile. I have found this is the best way to protect the art. Unmatted prints are the best option for customers who do their own framing or

I have been working diligently to create a better shopping experience on my online store. However, nothing beats seeing the artwork in person. If you can’t make it to a show and want to see my original work, here are three galleries where you can shop: Gallery 46 in Lake Placid, NY Gallery 46 is located right on Main Street in Lake Placid. There is a variety of high quality fine art and fine craft, featuring, of course, images of the Adirondacks. I just delivered twenty plus

Here’s my show schedule: Corn Hill Arts Festival: This show takes place in the historic Corn Hill neighborhood of Rochester New York on July 11th and 12th. I am usually on Atkinson Street, but I haven’t gotten my booth assignment yet. The hours are 10-6 Saturday and 10-5 Sunday. Here’s the link to the festival website: https://cornhillartsfestival.com/. The weather hasn’t been our friend the last two years, so we are due for a nice weekend. My booth is #18 on Atkinson Stree

Art often begins with a quiet idea, a rough sketch, or a shape noticed during a walk through the city. From there, the creative process slowly grows into something textured and expressive. Printmaking brings that feeling to life through layers, color choices, and thoughtful carving techniques. Among the many styles used in modern workshops and studio sessions, linoleum block art demonstrations in NY, continue to draw attention from artists and curious beginners who enjoy hand

I am writing this as I gaze out the window of a cruise ship heading for British Columbia, so this will be short and sweet. Most of my photos are on my DSLR, but here are a couple examples of what I've seen so far. There are a lot of block printers I. the area. Here is one example that transformed into a shop sign. Wildlife is abundant. I saw whales yesterday, and here is an Eagle from the day before. Here is the sample of the landscape: Next week I will be home and ready to w

I haven’t been able to make prints for a couple of weeks now. The rest of my life, professional and personal, has gotten in the way. I am anxious to start something new. Today I am going to share with you a few photos I have taken during my daily dog walks that I hope to use as the basis for new prints. I have learned that I don’t have to go somewhere exotic to find beauty in the world around me. These are parks I visit frequently and can always find something intriguing as

It starts with an idea running around in my head about the image I want to create. Sometimes I am able to work totally from imagination or memory, but most times I need a little help from the numerous photos I have taken during my time out walking and hiking. The concept was to portray the beginning of the trail; most people take photos once they reach the summit, but the beginning of the journey is important as well. Here are two photos I used as inspiration for my linocut

Oftentimes people come into my booth during an art festival and ask, "What kind of Art is this?". Many otherwise intelligent and educated people have little knowledge when it comes to prints and reproductions. This is due to a lack of good art education in our public schools and artists who provide misinformation when it comes to selling reproductions. Today I am going to clarify the difference between Linocuts (or Linoleum Block Prints), Etchings, and Giclee's. Below are p

Have you ever wondered how a simple frame can completely change the way your art or photos feel in a room? When I first discovered a birch bark picture frame, I was amazed at how much warmth and character it added to my space. Unlike regular frames, the natural texture of birch bark brings a subtle, organic elegance that immediately draws attention and complements any artwork. Over time, I’ve learned how to choose, display, and care for these frames to make the most of their