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Reduction linoleum block printing is a complicated process. Many people struggle to comprehend it because everything is reversed. The image reverses left-to-right and the process is subtractive. Being dyslexic,  reduction printing fits the way I think.   I am writing a series of blogs depicting, with words and photos,  the creation of a linoleum block print I recently completed. I hope that this will make reduction printing more understandable.   When people ask, “How long does it take you to make one?” I don’t believe they consider the time it takes to plan the image. Because I am cutting into a piece of Linoleum, I need to know ahead of time exactly what I am going to do. There is no erasing. I generally use four to six sheets of tracing paper to create a planning drawing that depicts the image and notates the colors.   Here is a sample drawing. In this case, I changed the color and the type of dogs several times as I struggled to make them simple but recognizable. I initially thought I would make them colorful, but in the end, I decided on a night scene and made them silhouettes.   Once I was satisfied with my design, I transferred the drawing onto the linoleum. When I draw, I make sure the drawing is the same size as the block I am using.  I use a 4B or 6B charcoal pencil to complete the drawing, which easily rubs onto the block in reverse. When I print, the image will reverse again in the original direction.  As soon as I have the drawing on the block, I use a Sharpie marker to trace my lines so they don’t wash off. Here is the linoleum block with the drawing on it. I have completed the first stage of carving, which is cutting out the white areas in my print.   In my next blog. I will show you how I print the first color. I will be conducting workshops in various New York State locations throughout 2026. Subscribe  to my newsletter to get up-to-date information.   To see my finished Linoleum Block Prints, featuring landscapes of upstate New York and Moonlight Prints,visit my online store at   www.DCastleBabcockArt.com .

In a recent blog I discussed my  experience as a Juried Artist in The Roycroft Arts & Craftsmen Guild on the Roycroft Campus. When talking to people at art festivals, I realize many people outside of East Aurora, New York, are unfamiliar with Roycroft. The campus is a cultural treasure with a rich history that I will share with you in this blog.   The Roycroft Campus is a “best kept secret” located in East Aurora, New York.  The campus is the best preserved and most complete complex of buildings remaining in the United States of the “guilds” that evolved as centers of craftsmanship and philosophy during the late 19th century.  Currently the campus includes nine of the original fourteen  structures, including the Inn, the Chapel, the Print Shop, the Furniture Shop, and the Copper Shop.   The Roycroft Campus was founded by Elbert Hubbard, who left a lucrative career as a soap salesman to pursue his dream of becoming a writer. He visited William Morris while in England, who is considered the father of the Arts & Crafts Movement. The Arts & Crafts movement was a reaction to the Industrial Revolution and Victorian styles.  The movements’ goal was to promote the creation of hand-crafted, high-quality objects, inspired by the beauty and simplicity of nature.   In 1897, Elbert constructed a print shop next to his home on Grove Street in East Aurora, to print hand-crafted books and his magazine, The Philistine.   His story, titled A Message to Garcia, was an international success, motivating him to expand his print shop. He converted his home into what is now The Roycroft Inn, because of the need to accommodate hundreds of visitors. Hubbard expanded his operation to include other crafts, such as woodworking and coppersmithing, to furnish the Inn and other campus buildings.   Visitors to the campus loved the work being created and began buying these pieces for their homes. The campus continues to expand; at one point in the early 1900s there were more than 500 people employed on the campus.   During the Great Depression, the Roycroft Campus declared bankruptcy and the buildings were sold off individually for other uses.   A revival movement began in the 1970s to restore the Campus. In 1986 the Campus was granted National Historic Register Landmark Status. Since that time, there has been a continued effort to restore the buildings and  generate interest in the Roycroft Legacy. Currently, the Campus offers tours, lectures, events, and classes. The Copper Shop is now a gallery, where I sell my work. The Inn and restaurant draw tourists from around the world.   Given Roycroft's rich history, I am honored to be a juried artist  in the Arts & Craftsmen Guild. The guild aspires to continue the standards of the original Roycrofters.  Our objectives are to encourage and promote the highest standards of artistry and craftsmanship among our members. We strive to promote and preserve the home of the American Arts & Crafts Movement and to foster the fellowship and tranquility among artists of all mediums along with their supporters. We provide assistance and mentoring to members to support the development and preservation of excellence in artistry and craftsmanship. For more information about the Guild, visit https://www.artsandcraftsmenguild.com/   I encourage you to visit the Roycroft Campus in 2026, once the snow stops flying.  To book a tour and get more information, click this link:  https://www.roycroftcampuscorporation.com/

Nature has always been my greatest muse. Living in and exploring the vast, quiet beauty of the Adirondacks shaped not just my identity as an artist but also the way I experience the world. I am Diane Castle Babcock, and I transform these serene, majestic landscapes into hand-carved, original linocuts. Through a process that blends time-honored techniques with personal reflection, I create linoleum block prints  that capture the essence of upstate New York—its forests, lakes, mountains, and even its moonlit paths. Each piece of art begins on a trail, camera in hand and heart wide open, as I hike through the woods and absorb the stillness, movement, light, and texture of my surroundings. Whether I am photographing a birch grove drenched in early morning light or pausing at a mountaintop to sketch an open view, inspiration is everywhere. These hikes are not just for collecting reference images; they are a part of the artistic journey themselves. As I walk, I also collect pieces of birch bark and branches—elements I later use in handmade birch bark frames, rustic shadow boxes, and crosses that complement my artwork. The Rhythm of Carving: The Reduction Method With more than forty years of experience, my chosen method—reduction block printing—has become second nature. I carve away from one block multiple times to build a layered, multicolor image. Each layer must be planned in advance, since every pass through the press removes more of the linoleum. Once a layer is cut, there is no going back. This irreversible process requires trust—in both my vision and my hands. Creating these prints is much like navigating a trail. There are no shortcuts, and you must take one careful step at a time. I begin with a concept formed on the mountain, sometimes very specific like a favorite stream near a trailhead or the way moonlight casts shadows through trees. Other times, the ideas are more atmospheric, evoking mood and memory rather than a precise location. Regardless of subject, each image in my collection of linoleum block prints of Upstate NY  reflects the deep connection I feel to the region’s spirit. Moments in Nature and the Joy of Observation My original linocuts are as much about observation as they are about technique. Every dog-walk-turned-midnight-stroll, every shift in cloud cover or season, becomes an opportunity to notice something new. The moonlight series, in particular, emerged from these moments—silent, glowing nights where the world is transformed into something magical and still. These prints don’t just depict a landscape, they evoke the feeling of being there: the crunch of snow underfoot, the hush of a winter night, or the rustle of leaves in a summer breeze. Sometimes, I include figures—dogs and their humans—because those relationships are such a natural part of my world. Walking with a dog by your side opens up a new level of awareness. You notice the squirrels. You hear distant owls. You stop more often and look closer. That kind of attention is essential to my art. From Viewpoint to Viewfinder to Print Every print begins long before I touch a carving tool. It begins when I sit down on a rock, let the wind pass through the trees, and ask myself: what makes this moment worth remembering? That reflection becomes the basis for my composition. Once back in the studio, the photograph or sketch becomes a map. I mentally chart how to layer the colors, which lines to preserve, and how to build texture into flat surfaces. Then begins the careful process of carving, inking, and printing. The end result is a print that is entirely original—rich with texture, layered with meaning, and deeply tied to a specific sense of place. My collection of linoleum block prints is more than art—it’s a visual diary of my life among the lakes and mountains of New York State. A Personal Invitation Creating these pieces is an act of storytelling, rooted in personal experience and shaped by the places I love most. Whether you're familiar with the Adirondacks or discovering them for the first time through my work, I invite you to pause and look closely. Each image is a window into the way I see this incredible landscape—a place I’ve called home and continue to return to in both body and spirit. From scenic notecards to intricately carved linocuts, my goal at DCastleBabcockArt is to share the wonder of the wild, quiet places of Upstate New York. I hope these prints bring a sense of calm, reflection, and natural beauty into your life, just as creating them does for me. Disclaimer:  The information in this blog reflects personal experience and artistic perspective. It is not intended as professional advice.

Artists often face unique challenges that can feel isolating, from creative blocks to managing the business side of their work. Yet, many find strength and success by joining groups where they support each other. These artist communities provide more than just friendship—they offer constructive criticism, moral encouragement, and practical help with running their creative businesses. In this post I relate my experience as a member of an informal group of artists in the Finger Lakes area of New York State and as a Juried Artist in The Roycroft Arts & Craftsmens Guild. One of the most valuable benefits of artist groups is the opportunity to receive honest, thoughtful feedback. When artists share their work with peers, they gain new perspectives that help improve their craft.  Artist groups create a space where members feel comfortable sharing unfinished or experimental work. This safety encourages openness and honest critique without fear of harsh judgment. My first experience interacting with other artists came early on in my career. I was adopted by a group of women artists living in the area surrounding Rochester, New York. These ladies were my mentors; many of them had twenty to thirty years of art show experience under their belts when I was a novice. We would get together once a month for lunch and everyone would bring a dish to pass. We nicknamed ourselves the Loud Lunch because we were all of strong conviction; it really did get loud. I received valuable feedback on my jury slides (yes, old 35mm slides) as well as my Linoleum block prints. We discussed everything from setting up a tent for a festival to filing taxes. Not only did we share our views on Art, but we solved the world’s problems in our spare time. We supported each other through the difficult times of our lives.  I was privileged to be included in the group. Later in life, I became part of a more formal group of artists, The Arts & Craftsmans Guild on the Roycroft Campus. I joined the guild in 2016. I have  juried  every three years to maintain my artist’s membership. The next time I successfully jury in I will become a lifetime member. The jury process is valuable because it compels me to explain why I am creating and examine how my printmaking skills and my artistic process have evolved. The jury committee is very supportive and provides written feedback. At our monthly meetings, artists present their work and talk about successes and challenges. We have parties and picnics as well. To learn more about the guild, click the link below. https://www.artsandcraftsmenguild.com/   The Triangle Rose shopmark as a reliable symbol of exemplary craftsmanship rooted in the Arts & Crafts tradition. As a juried artist, I am entitled to use the guild logo on my artwork.  In my next blog, I will discuss the history of the Roycroft Campus in East Aurora, New York. Recently I was sorting some of my older work and I realized how far I had in my forty-five years as a professional printmaker.  I realized how important other artists are in fostering the growth in my work and my entrepreneurial skills.  Here are two of my Linoleum Block Prints . The one on the left is twelve years old, the one on the right is a recent linocut. Because artists often work alone, we yearn to be part of a community.  No one can effectively work in a vacuum. Throughout my career, belonging to an association of like minded artists helps to work through problems and stimulates growth as an entrepreneur and as an artist.

Nature’s beauty encourages me to use a variety of cutting techniques to depict the myriad of textures and colors in the landscapes.  The changing seasons and weather motivate me to create a series of prints showcasing the effect of atmosphere on the scenes. The iconic White Birch trees are always carved first, because they are white. They provide contrast to the myriad of colors of Adirondack landscapes. I often visit the same spot multiple times to observe how light and color shift.  The textures and patterns of  treebark and leaves, ripples on water, and rocky surfaces inspire the textures I carve into the linoleum.  I consider myself an Impressionist; I constantly study the effect of light on a landscape over different seasons and times of day. I use a Japanese technique called a rainbow roll in these panoramic views to enhance the illusion of space in the image. This technique also allows me to print more than one color simultaneously. For example, I print the green of the grass and the blue of the sky in a single pass using a large brayer. The Linoleum Block Printmaking  Process Creating a linoleum block print  involves several steps, each requiring patience and precision. Here’s how I translate Adirondack scenes into prints: I start with pencil sketches based on photographs and my memories of the site. I redraw the scene using several sheets of tracing paper until I am satisfied with the composition. I then consider my color selection, which makes a huge difference in the mood of the artwork. As I plan out the colors on the tracing paper I am mindful of the mechanics of the printing process. How can I create an image that shows a full range of values and textures using just four or five colors? The order in which I print the colors also makes a difference in the final product.   Next, I transfer the sketch onto the linoleum block. I use tracing paper to flip the image because the print will be a mirror image of the block. This step ensures the final print matches the original composition. Using V-shaped  gouges, I carve away the white parts of the image first.  The  raised areas that will receive ink.   I roll ink evenly over the carved block using a brayer.  I must ink the block every time I pull a print. I press the inked block onto paper by hand using a bamboo barren. This transfers the image and reveals the carved design. Each print is unique due to slight variations in pressure and ink application. After I print the first color, I carve out what stays that color. For example, if I print blue, I cut out what stays blue.  Planning is  essential and I refer to my drawing throughout  the process. When I finish carving,   I print the second color over the first. I keep carving and printing until the image is complete. The block is destroyed as I make the prints. Click here to see  visual examples of each stage in the  reduction printing process.   Bringing the Adirondacks Home Through Art Linoleum block prints allow me to share the Adirondacks’ beauty in a tangible form. Each print captures a moment in time and a place that holds personal meaning. Whether displayed on a wall or given as a gift, these prints connect viewers to the natural world and invite them to appreciate the Adirondacks’ unique charm. Click here  to see more of my work in my online store. Find the Adirondack image that speaks to you. I offer my original prints matted or framed to suit your needs.

The Adirondacks offer a unique blend of mountains and lakes that have inspired countless artists. For me, these mountains and lakes are not just a backdrop but a source of creative energy that shapes my linoleum block prints. In this post, I will share how two  locations in the Adirondacks influenced my work and walk you through the process I use to bring these natural scenes to life through printmaking. Choosing the Adirondack Locations The Adirondacks cover over six million acres of protected land, offering endless inspiration. I focused on two of my favorite places: Marcy Field and The Great Sacandaga Lake. Each location has distinct features that translate well into the reduction printmaking process. ● Marcy Field is my favorite place to take in great views of the high peaks while walking my dog on a perfectly level trail.  Marcy Field is located in the hamlet of Keene Valley along route 73. It always amazes me that the field is so flat and suddenly the mountains rise above it. The scenery is always beautiful whether it is sunny and bright or dark  clouds sink down around the peaks.   ● The Great Sacandaga Lake is located in the southeastern Adirondacks. It’s a beautiful, peaceful place to swim, sail, fish, or paddle. It is  one of  the largest lakes in the Adirondack park, with a  variety of picturesque views from  different locations. I travel to Northville annually for the Fine Art and Woodworking Show in July and always enjoy the scenery.   How the Adirondacks Inspire My Art Nature’s beauty encourages me to use a variety of cutting techniques to depict the myriad of textures and colors in the landscapes.  The changing seasons and weather motivate me to create a series of prints showcasing the effect of atmosphere on the scenes . I often visit the same spot multiple times to observe how light and color shift.  The textures and patterns of  treebark and leaves, ripples on water, and rocky surfaces inspire the textures I carve into the linoleum.  I consider myself an Impressionist; I constantly study the effect of light on a landscape over different seasons and times of day. I use a Japanese technique called a rainbow roll in these panoramic views to enhance the illusion of space in the image. This technique also allows me to print more than one color simultaneously. For example, I print the green of the grass and the blue of the sky in a single pass using a large brayer. Bringing the Adirondacks Home Through Art Linoleum block prints  allow me to share the Adirondacks’ beauty in a tangible form. Each print captures a moment in time and a place that holds personal meaning. Whether displayed on a wall or given as a gift, these prints connect viewers to the natural world and invite them to appreciate the Adirondacks’ unique charm. If you have a favorite place, I do commission work as well. Please  contact me  to learn more. Nature offers endless details and stories waiting to be told through art. I would love to make your beloved location a cherished memento.

There is a moment in every artist’s journey when creativity meets courage, and that moment defines the work forever. We believe reduction linoleum block printing stands exactly at that intersection. Our approach to this technique reflects both discipline and daring because once a layer is carved away, there is no going back. The block transforms step by step, and with it, the story of the print takes shape.   This is where reduction linoleum block printing  craft becomes commitment and where each finished piece carries the remarkable truth of its own making.   Understanding the Subtractive Process   Reduction linoleum block printing operates through subtraction rather than addition. Instead of building up materials to form the image, the artist removes portions of the block for each stage of the print. Every carved space represents a future highlight or color that will never appear again in subsequent layers. This means the artist must think in reverse. What is carved away is what will appear on the paper later, and each decision creates a permanent change.   The process also reverses the final image from right to left, which requires a careful planning stage. This backward thinking challenges the artist yet rewards them with intricate visual depth and a level of detail only this method can achieve.   The Meaning of Limited Editions   One of the most powerful features of reduction linoleum block printing is the authenticity of its limited editions. Because each stage requires carving and re-carving, the block is physically transformed throughout the entire process. By the final layer, the block is no longer capable of producing earlier states. In effect, the matrix destroys itself through creation.   This ensures that each lino reduction print   is truly limited. No additional impressions can ever be produced beyond the edition. Collectors value this permanence because every print becomes a preserved moment in the block’s evolution, and the block will never return to its original form.   Traditional Tools and Archival Materials   The handmade quality of each print is further enhanced by the tools and materials selected. Prints are hand-pressed with a bamboo barre, which is a traditional Japanese woodblock printing tool known for its precise and even pressure. This mindful method of printing creates a connection between artist, tool, and paper that mechanical processes cannot replicate.   Each impression is created on handmade Japanese paper that holds ink with exceptional softness and clarity. Once complete, the works are framed with acid-free materials that protect their longevity. This attention to craftsmanship ensures every artwork remains vibrant and archival.   Workshops and Demonstrations   For those who wish to explore this captivating technique, hands-on learning offers an inspiring entry point. We are currently scheduling linoleum block demonstrations along with immersive four-hour workshops. These sessions guide participants through each step of the reduction process while providing personal instruction and practical experience.   If you are an individual eager to participate, you can use the contact form to secure your place. This opportunity allows beginners and enthusiasts alike to understand the art of thinking backwards and carving with intention.   A Practice Rooted in Patience and Vision Beyond the visible layers of ink and carved marks, reduction printmaking teaches patience and clarity of thought. Each stage demands trust in the evolving image and confidence in the choices made long before the final colors appear. This slow and steady progression encourages artists to engage deeply with their creative vision while embracing the unpredictable beauty that emerges along the way. The process becomes a meditation where planning and intuition work together to guide the piece toward its finished form. A Process of Intention and Transformation   Reduction linoleum block printing is more than a technique. It is a thoughtful sequence of choices that shapes a final image filled with depth and meaning. Each carved layer represents a commitment to the final vision. The destruction of the block becomes the creation of a rare and authentic work of art.   We invite you to discover the beauty and discipline behind our reduction printmaking and to immerse yourself in this remarkable craft. Our commitment to sharing this art form continues to grow, and we look forward to welcoming new learners into the process.   Begin your creative journey with us and explore the world of reduction printmaking. Reach out through the contact form to join an upcoming demonstration or workshop.

When purchasing holiday gifts, original art may not be the first thing that comes to mind. People sometimes believe that art is astronomically expensive and beyond their reach. Many art forms, including linoleum block prints, can be affordable and unique holiday gifts for your loved ones.   In an age of mass production, having a hand-crafted item is a rare and powerful thing. It can be a memento of a favorite place, as with my linocut art landscapes of the Adirondacks . An original art object provides a focal point in your home.   As I look around my house, I see the art that is on my walls and shelves as old friends. I remember who gave me the piece, or what art festival I attended when I bought it. I recall my personal connection to the artist. Some are long-time friends that I would connect with at shows. At times I struck a trade with another artist. Sometimes I was attracted to an art form that was new and different. A piece of art is remembered and cherished long after jeans and shirts wear out.   As a very practical matter, buying from a local artist face-to-face or an owner operated gallery cuts out the big box vendor. You will pay more for a product that is of inferior quality at the mall. You will not be paying the tariffs for those mass produced items from other countries. You are supporting our local economy.   Contrary to popular belief, original art  is not necessarily expensive. For example, my 8 x 10 inch matted linocuts are $75. All you need is a readymade glass and frame to  hang the art on your wall. Many of my small linoleum block prints and Birch bark frames are $100 or less. Adirondack and Moonlight notecards make great stocking stuffers.  I offer free shipping on most of my orders.   Handmade, original art is an affordable gift that will be enjoyed for years to come. Selecting that special piece of artwork shows how much you care.  To find the perfect gift for your loved one, visit my online store, www.DCastleBabcockArt.com . I am offering a holiday promotion from November 29th to December 6th, so be sure to check it out.

Art has the power to bridge emotion and environment, transforming ordinary walls into reflections of the soul. Among the many forms of fine art, linoleum block printing holds a special place for those who appreciate texture, craftsmanship, and the intimate connection between the artist and the subject. Each impression carries the mark of human touch, revealing the harmony between nature, light, and form. Embrace this delicate balance, bringing stories of quiet moments, natural beauty, and heartfelt companionship into your home through original linoleum block artworks. Nearly a century since the technique gained recognition in the art world, these prints continue to captivate collectors with their warmth and authenticity. And now, with linoleum block prints for sale , I continue this timeless tradition, where each piece is carefully carved, inked, and pressed by hand to preserve the emotion that inspired it. The soul of handcrafted storytelling Every block print begins with an idea, often a memory or feeling connected to nature. It may be a peaceful hillside at sunrise, a woman and her loyal dog watching the horizon, or the interplay of color and shadow in a forest clearing. These moments become tangible through the carving process, where the artist’s hands slowly reveal form and texture by removing the linoleum piece by piece. The beauty of linoleum block printing lies in its imperfections, the gentle lines and subtle variations that give each print its life. The ink’s texture, layered through multiple pressings, creates a dimension that digital art simply can’t imitate. My collection reflects this tradition, offering collectors one-of-a-kind pieces that bring serenity and a touch of nostalgia to any space. A labor of precision and passion Creating a single print involves an extraordinary level of focus and care. The artist begins by sketching the design in charcoal and pencil, transferring it in reverse onto the linoleum surface. Each line carved is deliberate, each cut shaping the story that will emerge. Once the initial carving is done, the first color layer is printed. From there, the artist must carve again and print again each new layer, adding depth, tone, and harmony. Because each stage permanently removes part of the block, every print becomes part of a minimal edition. By the end of the process, the block itself is nearly destroyed, ensuring that no two prints can ever be perfectly replicated. It’s this blend of artistry and permanence that gives work its distinctive voice. Whether it’s a tranquil “Woman’s Best Friend” scene or a vivid sunrise over a distant hill, each piece tells a personal story that resonates long after it’s framed on your wall. For collectors seeking block   prints   for   sale , my gallery offers more than art; it provides a connection. Bringing emotion and environment together What makes my pieces unique is the way they capture both natural elegance and human warmth. The soft greens, purples, and yellows evoke a sense of place and time. The technique enhances this emotional tone, layering ink that reflects sunlight, water, and movement. I use handmade Japanese paper and traditional tools, such as the bamboo barren, ensuring each impression retains a sense of craftsmanship and texture. The result is an image that doesn’t simply hang on your wall; it lives with you, growing more meaningful over time. Every detail, from the carved bourlette lines to the subtle gradations of light, is a nod to authenticity. These prints feel personal because they are crafted with patient attention and a sincere appreciation for the world around us. A rare beauty that lasts Collectors often describe linoleum block prints as “quiet art” works that invite you to pause, reflect, and engage with the piece on a deeper level. They bring natural imagery into modern interiors with an organic grace that suits any space. Whether displayed in a cozy reading corner or as the centerpiece of a gallery wall, each print serves as a reminder that art is not only to be seen, but to be felt. My curated collection celebrates these values. At DCastleBabcockArt , I continue to create and share pieces that evoke emotion and inspire calm. With every brushstroke of ink and carve of the blade, I preserve the heart of traditional printmaking: authentic, detailed, and alive. If you’re searching for linoleum block prints for sale that reflect genuine artistry and bring emotional resonance to your surroundings, explore the latest series. Each print embodies craftsmanship, a story, and individuality, making it a heirloom piece ready to bring character and serenity into your home. Conclusion From the first carving to the final press, each linoleum block print represents a dialogue between artist and nature. My prints are more than décor; they are stories etched in texture and color, waiting to find their place in your world. When you explore the selection of block prints for sale, you’ll discover how art can illuminate a room and the spirit within it. To experience the depth and emotion of handcrafted printmaking, contact me today  to discover the perfect piece that resonates with your heart and space.

Explore how the stunning landscapes of the Adirondacks inspire my linoleum block printing creations. As a child, my grandmother and aunts lived in the Adirondacks. My family visited every year. In my thirties I began making annual trips to climb a mountain and take photos. I love to hike and my dogs are always willing travel partners. Trailhead in the Adirondacks Linoleum Block Print I am partial to White Birch trees; I think they are beautiful are and they provide a wonderful contrast to the vibrant colors of summer and fall. They also lend themselves to the linoleum block print process because they are carved first. The view from a mountain peak is worth the sweat, fatigue and bug bites I experience along the trail.  I use the photos I take on the trails as inspiration for my images of Adirondack landscapes. I consider myself to be an Impressionist; visiting the same place in different seasons and different times of day changes not only the colors, but the mood of the landscape. My linoleum block prints reflect not only what I saw, but the feelings of peace and wonder as I took in the landscape around me. I hope that my art will instill those feelings in you as well.

Adirondack Lake in Autumn Linoleum Block Print Autumn is my favorite season. One of the joys of living in upstate New York is watching the leaves turn from green to a variety of golds, oranges and reds. For forty-five years I have created reduction Linoleum Block Prints celebrating Autumn. I am continually inspired by the beauty of ever-changing nature. One question I frequently get is "How do you get so many colors in your Linoleum Block Prints?" My go to technique for adding multiple colors is called a rainbow roll. When you look at the print above, do you see how there is orange in the lower part of the print and red leaves at the top? To create this effect, I placed orange and red ink side-by-side on a sheet of plexiglass. I then rolled my brayer into the two colors simultaneously and carefully rolled the colors onto the block in the desired direction.

Do you want to preserve a memory of your favorite vacation spot or your camp? Do you have a spot on your wall that you just can't find the right color or size art for? Are you looking for the perfect gift for that hard-to-buy-for person on your gift list? I can help with that. Over the years, I have worked with customers to create a custom linoleum block print to fit their needs. I can work from your photos or create a print to your specifications. The process begins with a discussion about your vision for this print. After receiving photos, I prepare a sketch, which you will approve or ask for revisions. Once you approve my sketch, I will collect a deposit and the work begins. Want to learn more? You can contact me through my contact page. Just click the link above.