How Adirondack Imagery lends itself to the Block Printing Process

Nature’s beauty encourages me to use a variety of cutting techniques to depict the myriad of textures and colors in the landscapes.  The changing seasons and weather motivate me to create a series of prints showcasing the effect of atmosphere on the scenes. The iconic White Birch trees are always carved first, because they are white. They provide contrast to the myriad of colors of Adirondack landscapes.

I often visit the same spot multiple times to observe how light and color shift.  The textures and patterns of  treebark and leaves, ripples on water, and rocky surfaces inspire the textures I carve into the linoleum.  I consider myself an Impressionist; I constantly study the effect of light on a landscape over different seasons and times of day. I use a Japanese technique called a rainbow roll in these panoramic views to enhance the illusion of space in the image. This technique also allows me to print more than one color simultaneously. For example, I print the green of the grass and the blue of the sky in a single pass using a large brayer.

The Linoleum Block Printmaking  Process

Creating a linoleum block print involves several steps, each requiring patience and precision. Here’s how I translate Adirondack scenes into prints:

I start with pencil sketches based on photographs and my memories of the site. I redraw the scene using several sheets of tracing paper until I am satisfied with the composition. I then consider my color selection, which makes a huge difference in the mood of the artwork. As I plan out the colors on the tracing paper I am mindful of the mechanics of the printing process. How can I create an image that shows a full range of values and textures using just four or five colors? The order in which I print the colors also makes a difference in the final product.

Next, I transfer the sketch onto the linoleum block. I use tracing paper to flip the image because the print will be a mirror image of the block. This step ensures the final print matches the original composition.

Using V-shaped  gouges, I carve away the white parts of the image first.  The  raised areas that will receive ink.

I roll ink evenly over the carved block using a brayer.  I must ink the block every time I pull a print. I press the inked block onto paper by hand using a bamboo barren. This transfers the image and reveals the carved design. Each print is unique due to slight variations in pressure and ink application.

After I print the first color, I carve out what stays that color. For example, if I print blue, I cut out what stays blue.  Planning is  essential and I refer to my drawing throughout  the process. When I finish carving,   I print the second color over the first. I keep carving and printing until the image is complete. The block is destroyed as I make the prints.

Click here to see  visual examples of each stage in the  reduction printing process.

Bringing the Adirondacks Home Through Art

Linoleum block prints allow me to share the Adirondacks’ beauty in a tangible form. Each print captures a moment in time and a place that holds personal meaning. Whether displayed on a wall or given as a gift, these prints connect viewers to the natural world and invite them to appreciate the Adirondacks’ unique charm.

Click here to see more of my work in my online store. Find the Adirondack image that speaks to you. I offer my original prints matted or framed to suit your needs.